School of Rock Read Between the Lines
 | ZNO English Practice Examination iii |  |
You lot are going to read an commodity near a man who makes works of art out of seashells.
For questions 1-viii, cull the answer (А-D) which y'all think fits all-time according to the text.
THE SHELL Artist
At the age of 83 Peter Cooke has become a primary of his fine art.
There are yet many things that Peter Cooke would like to effort his manus at - paper-making and feather-work are on his list. For the moment though, he volition stick to the skill that he has been delighted to perfect over the by ten years: making delicate and unusual objects out of shells.
'Tell me if I am tedious you,' he says, every bit he leads me round his apartment showing me his piece of work. In that location is a fine line betwixt being a diameter and existence an enthusiast, but Cooke need not worry: he fits into the latter category, helped both by his charm and by the beauty of the things he makes.
He points to a pair of shell-covered ornaments higher up a fireplace. 'I shan't be at all bothered if people don't buy them because I have got so used to them, and to me they're ambrosial. I never meant to sell my work commercially. Some friends came to meet me about five years agone and said, "Yous must have an exhibition -people ought to encounter these. We'll talk to a homo who owns an fine art gallery".' The result was an exhibition in London, at which 70 per cent of the objects were sold. His 2nd exhibition opened at the gallery yesterday. Considering the enormous prices the pieces control - around ?two,000 for the ornaments - an empty space in a higher place the fireplace would seem a minor cede for Cooke to make.
There are 86 pieces in the exhibition, with prices starting at ?225 for a shell-flower in a crystal vase. Cooke insists that he has nothing to do with the prices and is cheerily open up about their level: he claims there is nobody else in the world who produces work like his, and, as the gallery-owner told him, 'Well, you're going to end one solar day and everybody will want your pieces because in that location won't be any more.'
'I practise wish, though,' says Cooke, 'that I'd taken this up a lot earlier, because then I would have been able to produce actually wonderful things - at to the lowest degree the potential would have been there. Although the ideas are still there and I'1000 doing the best I can now, I'grand more limited physically than I was when I started.' Still, the work that he has managed to produce is a long way from the common trounce constructions that can exist constitute in seaside shops. 'I have a miniature heed,' he says, and this has resulted in boxes covered in thousands of tiny shells, fiddling shaded pictures made from shells and baskets of astonishingly realistic flowers.
Cooke has created his ain method and uses materials every bit and when he finds them. He uses the paper-thin sent back with laundered shirts for his flower bases, a nameless glue bought in bulk from a sail-maker ('If it runs out, I don't know what I will exercise!') and washing-up liquid to wash the shells. 'I have an idea of what I desire to do, and it simply does itself,' he says of his working method, nonetheless the attention to detail, colour gradations and symmetry he achieves look far from adventitious.
Cooke's quest for beautiful, and especially tiny, shells has taken him further than his Norfolk shore: to French republic, Thailand, Mexico, South Africa and the Philippines, to proper name but a few of the beaches where he has lain on his tum and looked for beauties to bring home. He is insistent that he only collects dead shells and defends himself against people who write him messages accusing him of stripping the globe'due south beaches. 'When I am collecting shells, I hear people's great fat anxiety crunching them up far faster than I can collect them; and the ones that are left, the sea breaks up. I would non dream of collecting shells with living creatures in them or diving for them, simply one time their occupants take left, why should I not collect them?' If one bases this argument on the corporeality of baggage that can be carried habitation by 1 human, the sum dazzler of whose work is often greater than its natural parts, it becomes very convincing indeed.
1 What does the reader acquire about Peter Cooke in the get-go paragraph?
| A | He has produced mitt-fabricated objects in different materials. |
| B | Не was praised for his beat objects many years ago. |
| C | Не hopes to work with other materials in the time to come. |
| D | He has written near his love of making trounce objects. |
2 When looking round his apartment, the writer
| A | is attracted by Cooke's personality. |
| B | senses that Cooke wants his products to be admired. |
| C | realises he finds Cooke's work slow. |
| D | feels uncertain about giving Cooke his opinion. |
3 The 'small cede' in paragraph iii refer to
| A | the loss of Cooke'due south ornaments. |
| B | the display of Cooke's ornaments. |
| C | the cost of keeping Cooke'due south ornaments. |
| D | the space required to store Cooke'south ornaments. |
four When the writer enquires about the cost of his crush objects, Cooke
| A | cleverly changes the subject. |
| B | defends the prices charged for his work. |
| C | says he has no idea why the level is and so loftier. |
| D | notes that his piece of work volition not ever be then popular. |
5 What does Cooke regret well-nigh his piece of work?
| A | He is non as famous as he should have been. |
| B | Не makes less money than he should make. |
| C | Не is less imaginative than he used to be. |
| D | He is non every bit skilful as he used to exist. |
viWhen talking nigh the artist's working method, the writer suspects that Cooke
| A | accepts that he sometimes makes mistakes. |
| B | is unaware of the unique quality his work has. |
| C | underrates his creative contribution. |
| D | undervalues the materials that he uses. |
7What does the reader larn about Cooke's vanquish-collecting activities?
| A | Non everyone approves of what he does. |
| B | Other methods might brand his work easier. |
| C | Other tourists get in the way of his collecting. |
| D | Not all shells are the correct size and shape for his piece of work. |
8 What does 'it' in the terminal paragraph refer to?
| A | Cooke's luggage |
| B | Cooke'southward argument |
| C | the dazzler of Cooke's piece of work |
| D | the reason for Cooke'south trips |
| YOUR ANSWER TASK 1 | # | A | B | C | D |
| 1 | |||||
| two | |||||
| 3 | |||||
| 4 | |||||
| 5 | |||||
| 6 | |||||
| vii | |||||
| eight |
You are going to read a magazine commodity about a new hotel.
Seven sentences take been removed from the article.
Choose from the sentences A-H the one which fits each gap (nine-15).
In that location is one extra sentence which yous practice not need to utilize.
| YOUR ANSWER Job two | # | A | B | C | D | E | F | G | H |
| 9 | |||||||||
| ten | |||||||||
| eleven | |||||||||
| 12 | |||||||||
| thirteen | |||||||||
| fourteen | |||||||||
| 15 |
You are going to read a magazine article in which 5 people talk nigh their characters.
For questions 16-xxx, choose from the people (A-E).
The people may be called more than once.
When more than i answer is required, these may be given in any order.
| YOUR Answer TASK 3 | # | A | B | C | D | Eastward | F | Thousand | H |
| 16 | |||||||||
| 17 | |||||||||
| 18 | |||||||||
| 19 | |||||||||
| twenty | |||||||||
| 21 | |||||||||
| 22 | |||||||||
| 23 | |||||||||
| 24 | |||||||||
| 25 | |||||||||
| 26 | |||||||||
| 27 | |||||||||
| 28 | |||||||||
| 29 | |||||||||
| 30 |
For questions 31-42, read the text below and make up one's mind which answer (А-D) best fits each gap.
In practically any land in the world you are 31_____ to find a marketplace somewhere. Markets have been with us since 32_____ times, and arose wherever people needed to substitution the goods they produced. For example, a farmer might have exchanged a cow for tools. But only as times have 33_____ , and so have market practices. Then, 34_____ in early times the primary activity 35_____ with markets would take been 'bartering' - in 36_____ words exchanging goods - today most stall-holders wouldn't be too 37_____ on accepting potatoes equally payment, for instance, instead of greenbacks.
In contrast, what might be a common 38_____ in a modern market place in some countries is a certain amount of 'haggling', where customer and seller eventually 39_____ on a cost, after what can sometimes be quite a heated argue. Nonetheless, behaviour which is 40_____ in a market in one country may not exist acceptable in some other. Even within one country, in that location may be some markets where you lot could haggle quite 41_____ and others where information technology would be 42_____ not to try!
| 31 | A inevitable | B confident | C definite | D sure |
| 32 | A ancient | B antique | C sometime | D by |
| 33 | A changed | B turned | C developed | D differed |
| 34 | A nevertheless | B despite | C however | D whereas |
| 35 | A associated | B relating | C connecting | D attached |
| 36 | A dissimilar | B other | C new | D culling |
| 37 | A fond | B peachy | C eager | D pleased |
| 38 | A look | B vision | C sight | D view |
| 39 | A ostend | B consent | C approve | D agree |
| 40 | A expected | B insisted | C believed | D reckoned |
| 41 | A simply | B obviously | C conspicuously | D easily |
| 42 | A profitable | B appropriate | C noticeable | D acceptable |
| YOUR Answer Task iv | # | A | B | C | D |
| 31 | |||||
| 32 | |||||
| 33 | |||||
| 34 | |||||
| 35 | |||||
| 36 | |||||
| 37 | |||||
| 38 | |||||
| 39 | |||||
| 40 | |||||
| 41 | |||||
| 42 |
| |||
| Ви можете згадати про наш ресурс, розмістивши у себе на сайті цю кнопку: Щоб це зробити, просто додайте в HTML код потрібної сторінки даний код: | |||
 |
| |||
| Total online: 1 Guests: one Users: 0 | |||
| |
Source: https://znoenglish.at.ua/index/zno_english_practice_test_3/0-81
Post a Comment for "School of Rock Read Between the Lines"